Nanpakal Nerathu Mayakkam as a Metaphorical Soundwalk: An Analysis
Keywords:
Film Studies, Space, Sound Studies, Soundscape, SoundwalkAbstract
The article “Nanpakal Nerathu Mayakkam as a Metaphorical Soundwalk: An analysis” examines the 2022 Malayalam film directed by Lijo Jose Pelliseri and scripted by S. Hareesh as a metaphorical soundwalk. Soundwalk, a vital concept in Sound studies, is listening to one’s surroundings while walking. In this context, the researcher intends to read the film as a soundwalk considering its diverse soundscape. The protagonist, James, drifts into a midday slumber during his journey from Velankanni, setting the stage for a unique sonic experience. The study employs soundscape analysis to dissect various sonic elements, highlighting the immersive nature of sound in film. By bridging film analysis with sound studies, the paper offers fresh perspectives on how sound influences our perception of space and storytelling. This interdisciplinary approach contributes to the scarcity of sound studies research in India, making the study significant for scholars of film studies seeking innovative methodologies and insights.
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