Empowering Narratives and Unveiling Realities: Breast Positivity in Cinema Through B32 Muthal 44 Vare

Authors

  • Muneera K T Farook College (Autonomous), Kozhikode Author
  • Mithula Thomas Author

Keywords:

Breasts, media, Identity , Body positivity, Inclusivity

Abstract

The female body and its performative signifiers of identity were sites of conflicts and subjects of contention throughout history. It acts as a representative surface upon which the discourses and conflicting ideologies of the social context are inscribed. Within the human body, the Breast is a part that is stigmatized and sexualized in multiple ways. Shruthi Sharanayam’s B 32 Muthal 44 Vare (2023) is an exploration of individual experiences and the diverse meanings associated with breasts and it underscores the importance of acknowledging and empathizing with the trauma and violence that individuals may have experienced. This research paper seeks to contribute to a more inclusive and empowering cultural landscape by promoting diverse representations of women's bodies and narratives, challenging societal norms and expectations, and shedding light on the harmful impact of media objectification on women's experiences and self-perceptions.

 

Author Biographies

  • Muneera K T, Farook College (Autonomous), Kozhikode

    Muneera K T
    Research Scholar
    PG and Research Department of English 
    Farook College (Autonomous), Kozhikode 
    India
    Pin: 673632
    Ph:+917907316828
    Email: muneera@farookcollege.ac.in
    ORCID: 0009-0006-5141-0415

  • Mithula Thomas

    Mithula Thomas
    Research Scholar
    PG and Research Department of English 
    Farook College (Autonomous), Kozhikode 
    India
    Pin: 673632
    Ph:+91 9946920695
    Email: mithula.thomas@gmail.com
    ORCID: 0009-0002-8525-6488

References

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https://www.bbc.com/news/world-asia-india-36891356

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Butler, J. (1993). Bodies that Matter: On the Discursive Limits of ‘sex’. Routledge.

Bordo, S. (1993). Unbearable Weight: Feminism, Western Culture and the Body. University of California Press.

Dolezal, L. (2010). The (In)visibile Body: Feminism, Phenominology, and the Case of Cosmetic Surgery. Hypatia,

(2),357-375. http://www.jstor.org/stable/40602710.

Mulvey, L. (2009). Visual Pleasure and Narrative Cinema. In Film theory and Criticism: Introductory Readings.

New York: Oxford University Press.

Spivak, G. (2018). In Debi, M, Breast Stories. (pp. xiii) Seagull Books.

Sharanyam, S. (Director). (2023). B 32 Muthal 44 Vare [Film]. KSFDC.

Taneja, Shweta. (2015, February 24). Three Breasts and their Stories. https://shwetawrites.com/breast- stories/traveltales/

Additional Files

Published

2025-01-20

Issue

Section

Articles